Tom Crown French Horn Brass

17

French Horn Mute

  • Completely made out of brass
  • Model FH
Available since July 2004
Item number 169859
Sales Unit 1 piece(s)
Material Brass
Type Stop mute
1.219 kr
Including VAT; Excluding kr200 shipping
In stock
In stock

This product is in stock and can be shipped immediately.

Standard Delivery Times
1

17 Customer ratings

4.5 / 5

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8 Reviews

A
High Quality Stopping Mute
Anonymous 14.07.2016
I had been looking for a good quality stopping mute after my previous one was accidentally crushed. A colleague in the orchestra I play in had one that looked good, and sounded great. To my surprise it was the same model that Thomann sell. As i was able to borrow his for a quick test i was more than happy to order it from thomann at a much lower price than he paid for his.

When it arrived i was once again impressed by the extremely high build quality of the mute, i am certain this will last a very long time indeed.

A few days later I was able to give it a really good test, playing Mahler's 1st Symphony. It was all I had hoped for, great 'sizzle' sound, and good tuning.

Highly Recommended!!
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t
Decent but some problems
tRoS 23.12.2022
TC's mute is quite stable intonation-wise, even in different registers; especially mid and high register are great. It speaks also quite easily there. In the low register, the sound strength suffers quite a bit, so does the response. That low concert F# in Tchaikovsky 6? Barely audible in the full orchestra. That was disappointing. Otherwise, the material is of good quality, though you have to knot the leather rope yourself.
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google translate fr
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LV
sourdine sons bouchés
Louis V 22.11.2012
Sourdine qui cuivre très bien. Avec un son très clair et surtout très proche du son bouché fait main. Les sons bouchés dans le grave est avec cette sourdine très facile. La finition est très bien réalisé. De couleur doré elle s'instale très facilement dans le pavillon.
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google translate fi
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A
Anonymous 10.08.2015
Halpa perussordiino käyrätorvelle. Hintaan nähden en odottanut mitään maailmaamullistavaa soundia, vaan peruskäytettävää sordiinoa niihin paikkoihin joissa sitä vaaditaan eri teoksissa. Sordiinoa oli hankala saaada muotoilematta sopimaan Alexanderiini, ja muotoilunkin jälkeen vireys on vähän ennalta-arvaamaton. Sordiinolla kuitenkin harvemmin haetaan täydellistä virettä, vaan enemmänkin sitä sordiinolle tyypillistä rätinäsoundia jonka tämä kyllä saa aikaiseksi. Käytettävyyttä parantaa nahkainen naru joka tulee sordiinon mukana, nopeuttaa käyttöä kummasti orkesterissa.
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